Imajenes De Jena Jamenson

Brief notes of Barcelona and the Sagrada Familia of Antoni Gaudí Bruges

A English cities I like to visit, without fear of weariness or disappointment, is Barcelona, \u200b\u200bfor its architectural baggage seems to me always fascinating and worthy of commendation iterative and perpetual visits.

tacit In our meetings, where I assume the role of pretender surrendered while Barcelona has dominion and displays the beauty of its most prominent spurs, can not ever miss a carefree and leisurely stroll through the lengthy and crowded street of Las Ramblas, which connects Plaza Catalunya with the Portal de la Pau, where stands the monumental monolith with the effigy of the illustrious navigator Christopher Columbus, flying over the city \u200b\u200bas a hawk.

When it comes to alloy melting in my private emotions of delight and light snack of a bizarre substance that has a lot of magic that has a lot of calm, I am lost like a sparrow reckless labyrinthine meanders between the photogenic crowded Boqueria Market, founded in 1840.

Some emblematic buildings in this city suffer from the arrogance of a megalomaniac who looks obliquely flattery, although in its facade and a mood of indifference statism, timeless and aseptic. Is the prolific and ineffable stamp of eminent Catalan architect Antoni Gaudí (1852-1926)

Paragon unequivocal masterful legacy we find in the Paseo de Gracia, where we expect La Pedrera or Casa Mila, with his delusional facade surreal extravaganza competing in the abstract weirdness insinuating Batlló House, located at number 43 of this street and built by Gaudí between 1904 and 1906.

also highlight the amazing "dream world" of the Park Güell, concocted between 1900 and 1914, with its beautiful multi-colored benches under the auspices of the employer Eusebio Güell.

But Barcelona's face it could print his distinguished face with the image of the apotheosis of the Holy Family Basilica.

The initial project comes from the hand of the diocesan architect Francisco de Paula del Villar (1828-1901) in 1892.

Only a year later resume its work Antoni Gaudí, who would only culminated one of the towers, the facade of the Nativity and the underground crypt.

The perpetual unfinished basilica, consecrated as such by Pope Benedict XVI (11/10/1907) still have to wait three decades to see the completion of the titanic work "pharaonic" began De Paula nineteenth century. Gaudí

were 31 years old when he decided to enroll in this "mission impossible" doomed to delays and unfinished works that remain in limbo floating vagueness and irresolution.

Stresses in the Facade of the Passion, with airs of enigmatic riddle, a unique cryptogram with 16 figures which can make 310 different combinations, all of which are borne by an identical ratio: the number 33 The age of Christ when He died on the cross.

Lead To Connect 2 Portable Dvd Players Together

There lucida mountain?

There are more sacred mountain?

There are mountains of these

Not so much named.

Our sawn mountain

looking The four winds

not only venerated

Represents feelings

All of our great country

The people of this town

The History and the roots

All of my dear .

Whenever I lived very close

And no matter where you look

I see you always lifted

Touching the Sky your fingers.

there's dat you name many women

They feel part of you

dat you are the beloved name

That now my heart il'acull

And today is your day

Virgin Moreneta

Look where I look clear light

And I really revered.

Montserrat, beloved wife

They have saved my heart

Get my verses, beloved,

that are the result of my love .

What Curly Hair Products Does Taylor Swift Use

Concentracciones in Turkey for the deaths of Armenians in 1915

Thousands of people gathered on Sunday in several cities in Turkey coincided with the International Day of Remembrance of the Armenian Genocide, called by various NGOs who wanted to remember the dead Armenian intellectuals or exiled in 1915 and to appeal to the Turkish society to tackle the "taboo Armenian" and face "their own history."

The concentracciones succeeded Sunday in several cities across the country, including Istanbul, Ankara, İzmir, Diyarbakır, Bursa and Bodrum. Its aim was to remember the tragic events in 1915, in full World War I and during the final years of the dying Ottoman Empire. April 24 is the date chosen worldwide to remember the victims of the violence that led to what Armenia and the Diaspora claimed as the "Armenian genocide", an idea that Turkey is rejected assertion that Armenians and Turks suffered the consequences of that turbulent era.

In Istanbul there were two simultaneous concentracciones, and after the ceremonies on the occasion of Easter Masses were held and prayers in all Armenian churches of the city in memory of the victims of those years.

The first of the public celebrations in Istanbul took place at noon in Sultanahmet Square, organized by the Muslim NGOs IHD (famous for being the organized humanitarian fleet Mavi Marmara to Gaza). The audience showed the names of Armenian intellectuals that the April 24, 1915 were forced to leave their houses in Istanbul and sent to exile all their names -250 in all-were read aloud and then lying beside a tree.

"It's a matter of conscience. Intellectuals are not enough for Turkey to confront itself," he told reporters İhsan Kacar, a member of the Commission against Racism and Discrimination, in reference to a campaign started long ago by several Turkish intellectuals in showing their solidarity with the suffering of the Armenians in the final years of the Ottoman Empire, but without recognizing the fact as constituting genocide. "NGOs need to have a clear stance on this issue. Coping Armenian taboo mean for Turkey face its own history, "said Kacar.

" Nobody puts hot packs to speak of the Jewish genocide and the genocide of Native Americans, "said Ahmet Tamer meanwhile, a lawyer and member of IHD association. "But who knows why, we hesitate to talk about the genocide they suffered these lands. I guess it's hard to face ourselves, "he said.

concentracciones The second of the memory of Armenian victims of 1915 in Istanbul took place in the equally famous Taksim Square, organized by the initiative" Stop Racism and Nationalism. " Under the motto "The pain is of us all", written in Turkish, Armenian and English, among hundreds of people attending the ceremony were also prominent members of the press, politics, literature and art of Turkey and as representatives of various NGOs. Hundreds of attendees carrying red carnations and portraits of Armenian intellectuals exiled or killed in the final years of the Ottoman Empire. Their names also were read aloud and were deposited carnations and lighted candles.

This is not the first time that a ceremony of its kind in Istanbul and Turkey. In fact, very much a minority party supporters HKP (nationalistic and without parliamentary representation), used the occasion to hold counter-demonstrations both in Taksim (Istanbul) and in other cities such as Izmir and Ankara, shouting at those attending the events in memory of Armenian victims of 1915, which accused of listening to the "lies of imperialism", but police prevented them from approaching.

The debate on whether or not the Armenian genocide has been revived in recent years in Turkey through various initiatives and by improving freedom of expression with the reforms introduced by the AKP government; articles of Turkish legislation as 301-removed the last few years, condemning any mention of the Armenian genocide on the grounds that it constituted an insult to the "Turkish national identity."