Sunday, February 20, 2011

Homemade Graduation Center Pieces

Venice: portrait of a crumbling romance. 02/20/1911 GLOBEDIA.COM

RIALTO BRIDGE, VENICE


Venice 's face gradually fades as the face of emerging wrinkles teen drag maturity to the inevitable old age.
The illustrious writer Juan Manuel de Prada, defined in an arrogance that fatal transition state in his essential book "The Tempest."


Chiara, Ballesteros, Tedeschi, Dina, the inspector Nicolussi or Gilberto are helplessly witnessing the death of the city of gondolas and the Plaza de San Marcos, invaded by hordes of pigeons.


Prada makes a credible and brutal portrait of the city where love resides, bridges sigh and tell romances, may have occurred in the idílco Grand Canal, or the Rialto Bridge as a backdrop evocative and romantic. Browse
it between paragraphs, and turban of pure Heden pestilence and decay, through channels complainers, collapse as if they were splinters putrid, muddy water swamped by the city licking their tongues with pus.


CARNIVAL IN VENICE


Miasms arising from stagnant marshes, fissures that cut up the dreams of an enduring romance, cracks, chips, gaps, scars and wounds do not cease to pour synovium, Venice hopelessly out of joint.
His longevity and tempered scaffolding have osteoporosis, neglect and oblivion.


Venice exudes scents of dying in a coma, he contemplates his scruffy face and moan their channels of fear, anger and sadness, because nobody seems to care, no candle or put a stop to his many ailments, or hear their last throes of a Death Foretold ...


The disheartening lack of restoration and rising tides caused havoc in the city of gondolas and masks.
20 million annual tourists soar their flashes to the majestic Palazzo Ducale, the super famous Rialto Bridge and Piazza San Marco.


ecstatic smile outsiders to observe the beauty of the patches and the makeup smeared the walls, to disguise the fatal wounds from their foundations frayed.
TYPICAL VENETIAN MASK


Albert Torsello, orchestral voice restoration work carried out in Venice, to save it from decline remitted, in full agreement with the architect Renata Codella, Director of Architectural and Landscape Assets Venice: "The city sick, but evil does not progress, is being tackled from the ground up."


needed, however, adds a lot more funding and government commitment, since to date only palliative measures were taken to wash her face shortsighted to Venice, or what is the same: "it is putting a patch here and there. "


BRIDGE of Sighs, Venice.

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